Crank the Camera
"Lost Colony" Filmed in 1921
A town full
of residents-turned-actors, $3,000 in grant funds, the hide of one ox, and
other necessities were the makings of the 1921 film, Covering The Earliest English Expeditions and Attempted Settlements In
The Territory Of What Is Now The United States: 1584-1591, aka The Lost Colony.
Elizabeth B. Grimball Taken from "Women Film Pioneers" https://wfpp.cdrs.columbia.edu/pioneer/ ccp-elizabeth-b-grimball/ |
“Crank the
camera, Mr. Peterson,” shouted Miss Grimball on the first day of filming—Tuesday,
September 20, 1921. The final product was to be a five or six reel silent movie
recounting the events that took place on Roanoke Island in the late 1500s filmed
right there on the Outer Banks.
The first
day of shooting was pleasant, and the cast of local area residents—many of whom
had never even seen a movie—went home thinking what fun it was to be a movie
star.
Not much film
was shot that first day—only about 650 feet. The first scene depicted an old
sailor on what purported to be the English shore telling stories about the
marvelous New World to a young Walter
Raleigh. Another scene portrayed
Governor White’s terrible grief when he returned to Fort Raleigh
and found his daughter, Eleanor, and the other the colonists missing.
Wednesday
was slightly warmer, but still nice. However, some ill-fitting shoes began to
pinch and the Manteo drug store sold out of corn plasters. Thursday was hot!
The actors, dressed in velvet suits, petticoats, fake whiskers, and flowing
wigs, began to lose their gusto for movie making.
On Friday,
the last full day of filming, the sun blazed down on Fort Raleigh
and there was no breeze whatsoever. Virginia Dare, played by a Manteo baby,
squalled at the top of her lungs, and, before the day was over, one of the
overdressed ladies fainted.
All that
was left was the Indian war dance and this was filmed on Monday evening. The
project, which had been months in the planning, was completed in just a few
days.
A scene from the 1921 movie The Virginia Pilot Online https://pilotonline.com/news/article_0cd59735-5222-5672-98e9-af2846619224.html |
How It Came To Be
The movie
never would have happened were it not for W. C. Crosby, Secretary of the
Community Service Bureau—part of the State Department of Education—and Mabel
Evans, the determined and resourceful Superintendent of Dare County Schools. (Yes,
there was a female Superintendent in 1920!)
When Mabel
Evans heard about the proposed project in the spring of 1921, she approached
State School Superintendent Brooks to ask him to begin the visual education
series with the story of Roanoke Island . He
was reluctant at first, asking her if she thought there was enough talent on Roanoke Island to carry out such a large venture. Evans was
able to convince him that the people in the northeastern corner of the state
were up to the task.
John White’s Drawings
Roanoke
Island was a remote place, reached only by boat, with few amenities and few North Carolinians had never been there. The challenges of
organizing and preparing to make a feature film in such a rugged place were staggering,
but the local people rose to the occasion with vigorous enthusiasm.
The
collection of watercolor drawings done by John White in 1585 provided the
filmmakers with a unique and valuable record of the original colony on Roanoke Island . There
were dozens of drawings of the fort and the Indians— their villages, their
food, and their ceremonies. These drawings made it possible to present an
extremely realistic view of the original settlement.
A Lot of Work
Planning
for the big event got underway during the summer. The months of August and
September passed in a whirlwind of activity. Evans wrote the script. She also recruited
numerous bit players to act the parts of Indians, colonists and sailors, helped
design costumes, and organized the preparation of the various scenes.
Elizabeth
Grimball, who had staged several dramas in the state, was selected to direct
the movie. She chose players for the main characters: Gov. White; Ananias Dare,
father of the baby Virginia Dare; Amadas and Barlowe, explorers who were sent
by Walter Raleigh in 1584 to find a suitable place to start the first
settlement; Manteo and Wanchese, native Americans who visited England; Eleanor
Dare, daughter of Gov. White and mother of baby Virginia; Virginia Dare, Eleanor’s
baby played by the squalling Manteo baby. Mabel Evans was given the part of
Eleanor.
Local
seamstresses were lined up to make costumes for Indians, colonists, and sailors.
Many costumes for the fine gentlemen were ordered from Philadelphia .
On September 9, the Elizabeth City newspaper, The Independent, described the Indian costumes: “Many untrimmed
furs and skins will be utilized, and at least one ox will lose his hide in the
costuming of A. J. Willis, who will represent Insinore, one of the Indian
chiefs. Shredded strands of hempen rope will be dyed for Indian wigs, and
beards will be made from crepe-hair, bought by the yard and dyed. For the
complexion a special dye made by one of the big film companies and costing $5 a
gallon will be used.” The cost was about
$1 each for the locally made costumes.
Children in 1921 movie Village Realty Blog, 7/23/2013 https://www.villagerealtyobx.com/blog/2013/07/23/1921-silent-film-about-lost-colony-roanoke-island |
Volunteers
labored to rebuild Fort
Raleigh , to construct
Indian villages, and to rig a borrowed shad boat to simulate a ship of the late
1500s. Most importantly, it was necessary to remove all signs of modern
civilization from the view of the camera.
By late
August, the preparations were in high gear.
Props were being borrowed from private citizens, museum collections and,
where necessary, improvised. The 150 to 200 costumes needed were almost ready.
Miss
Grimball claimed to have solved the riddle of why the colonists left. Miss Grimball had been at
work in the woods on the island, “close by the site of the original Fort Raleigh
and small denizens of the forest—mosquitoes, redbugs and the like—have shown
her particular personal attention. She is sure that the colonists left to
escape being eaten alive.”[1]
Another
amusing mishap was reported: “…A few days ago, … leaders in the [film]
undertaking, made a hurried trip to Kitty
Hawk Bay
aboard the Gretchen … . The Gretchen was brought as close to the
shore as the shallow water would permit; all divested themselves of shoes and
hose and began to wade ashore.
“As they
neared the beach, the party found an underwater area covered with short grass,
literally alive with crabs. Brooks, Crosby and Williamson, proceeding
cautiously ahead, were making creditable speed, when they were halted by a call
from Miss Grimball.
“I’m afraid
of these horrid crabs,” she said, “and I’m going to put on my shoes.”
“No, don’t
do that,” said Williamson, “you’ll ruin them. I don’t mind carrying you
ashore.” Miss Grimball consented and he picked her up.
Williamson, who is
director of mechanics for the school extension division, of the State
Department of Education, is a strong man, and well able to carry a woman of
medium size any reasonable distance under ordinary conditions. However, he is
afraid of crabs, and in avoiding a particularly big crustacean with
outstretched claws, he stepped into a hole, and partly lost his balance. The
result was that Miss Grimball fell full length into the water, with a
resounding splash!”[2]
The Making of the Movie
The Atlas
Educational Motion Picture Company of Chicago
was contracted to film, edit and produce copies of the movie. Captain A. O.
Clement, a well-know photographer from Goldsboro ,
was appointed the task of taking hundreds of still pictures, or “slides,” during
the filming. And, of course, W. C. Crosby was everywhere, supervising
everything.
And then,
at last, it was September 20 and the camera rolled—or actually, was cranked,
and filming began.
The filming of the movie Taken from "Women Film Pioneers" https://wfpp.cdrs.columbia.edu/pioneer/ccp-elizabeth-b-grimball/ |
Watch the Movie
The 1921
movie disappeared for many years, but in 2011 a pristine copy was found and
digitized. It can be viewed at https://digital.lib.ecu.edu/51195
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